Jenny and I made our return-trip to Holy City for a Friday light painting excursion. I'm glad we double-checked our permission to photograph this building. Not one minute into our shoot, a sheriff's deputy drove by to check us out. He accepted our explanation, but I was reminded of Troy Paiva's advice that light painters are wise to bring along samples of their work as proof of their artistic intentions. Without a decent excuse (and a rapid departure plan) traipsing around someone's property with flashlights in the middle of a foggy night can be risky.
The shoot was terrific. Jenny and I painted the building with our car to get a decent focus before killing the light. In the misty blackness that followed, Jenny used a white flash on the outside while I stood inside, outside of camera view, painting the rear interior with red. Getting that red-window effect was my goal. Once more I appreciated the challenge of lighting empty space. In this case, we didn't light the window; we lit the wall behind - using the window as a structural lid. The result is pretty swell.
What's the next goal? I'm not sure. We've got the necessary equipment (other than a decent flash) and we're fairly confident in our technique. It's just a matter of finding the right subject for another evening of stumbling around in the dark.
(Photograph by Andrew and Jenny Wood)